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Beatrice Prior must confront her inner demons and continue her fight against a powerful alliance which threatens to tear her society apart with the help from others on her side.
Director:
Robert Schwentke
Writers:
Brian Duffield (screenplay), Akiva Goldsman (screenplay)
Stars:
Shailene Woodley, Ansel Elgort, Theo James
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Storyline
One choice can transform you-or it can destroy you. But every choice has consequences, and as unrest surges in the factions all around her, Tris Prior must continue trying to save those she loves--and herself--while grappling with haunting questions of grief and forgiveness, identity and loyalty, politics and love. Tris's initiation day should have been marked by celebration and victory with her chosen faction; instead, the day ended with unspeakable horrors. War now looms as conflict between the factions and their ideologies grows. And in times of war, sides must be chosen, secrets will emerge, and choices will become even more irrevocable--and even more powerful. Transformed by her own decisions but also by haunting grief and guilt, radical new discoveries, and shifting relationships. Tris must fully embrace her Divergence, even if she does not know what she may lose by doing so.
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Insurgent Movie Reviews
The word "insurgent" means to actively revolt, implying some distinctiveness that sets its participants apart from the norm. Ironically, the film Insurgent, a faded photocopy of other teen- scifi-dramas, doesn't have a single unique bone in its body. Not that it's aggressively terrible. There are some decent scifi elements and even a couple of mildly intriguing moments. But like clockwork, every slight turn for the better is quickly overwhelmed by extreme boredom. Like a forgettable SyFy channel series masquerading as a blockbuster film, Insurgent is simply a dull and uninteresting sequel. That word "sequel" should connote a progression of sorts, but no. As little as I remember about the previous entry in the Divergent Series, I can tell you this: shaky cam action scenes, bloviating about "special ones", and constant fighting for the McGuffin-of-the- week were the focus and are still in full form here. At the center is Woodley, an actress with a whole heckuva lot of talent that simply doesn't have the presence of strength to carry this sort of role. She presents a microcosm problem for an entire film full of great actors terribly miscast. Teller and Elgort manage some natural charisma and charm from their otherwise absent characters, Watts and Spencer are all but completely missing, and Winslet is just plain wasted. It's none of their fault; they just can't make the embarrassingly constant melodrama palatable. Even if it was laughably bad there might be something to cling to, but it's not bold enough to even warrant that reaction. Insurgent only serves as a lame, achingly dull placeholder until the next Hunger Games installment.